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Review: mini kuš! #31 It’s Tuesday by Amanda Vähämäki I’m still working through Kuš! komiksi’s latest batch of minis, and one I’ve been mulling over recently is a comic by Finish cartoonist and illustrator Amanda Vähämäki. North American readers will recognize Vähämäki from The Bun Field, an 80 page comic published by Drawn & Quarterly…
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Review: Vacancy by Jen Lee I first came across Lee’s comics via the web and Lee’s animated web comic Thunderpaw; a remarkably expressive view of the post-apocalypse through the eyes of two dogs, in bright colors. Vacancy, a book that exists in the same shared universe with its own set of anthropomorphic animals is Lee’s first…
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Review: An Entity Observes All Things by Box Brown

An Entity Observes All Things is 152 pages of perfect bound science fiction short stories, some of which have been published previously as mini comics (including New Physics, a review of which you can find here). The collection uses a limited color palette; each story uses 3-4 tones, mostly block primary colors, with some lavender and fuchsia…
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Review: mini kuš! #33 – BFF by Marie Jacotey

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Quick Picks #3 – Bugs and TCAF
Quick Picks is an occasionally written series of microreviews of books I’ve read over the past two weeks. Here’s a selection of books I’ve been thinking about over the last two weeks. Last of the Sandwalkers by Jay Hosler A recent release from First Second, Last of the Sandwalkers features a family of extraordinary beetles as they…
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Review: Shoplifter, by Michael Cho It seems like the last week of June is the week where I talk about books that focus on people who are displaced or struggling; on Monday I reviewed Noah Van Sciver’s Saint Cole, and today, Michael Cho’s debut graphic novel Shoplifter, a 96 page two-tone comic from Pantheon about…
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Review: LYDIAN, by Sam Alden Sam Alden is known for beautifully rendered graphite comics (for examples, check out my reviews of Alden’s Wicked Chicken Queen from Retrofit Books retrofitcomics and It Never Happened Again from Uncivilized Press uncivilizr ). But for a little over a year, Alden has been using low-resolution full-color pixel art as…
