Comics That Challenged Me in 2016: Part 4

Welcome back! This is part 4 of this 6 part list
of comics that challenged me as a critic or as a reader in 2016. Admittedly,
this part has 5 entries, but really 9 separate comics. Let’s get right to it.


Part 1
| Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Complete List


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No Visitors #2 – HTMLflowers (Grant Gronewold) self-published @htmlflowers

This is a continuation of Gronewold’s No
Visitors
series, the first of which I reviewed in November 2015 along with his
collection Virtual Candle. In the second issue, No Visitors amplifies
Gronewold’s previous concerns about control, pain, disability, and a poorly
functioning medical system that sees patients as numbers, not people. No Visitors #2 also begins to discuss the ways in which capitalist systems take advantage of the disabled for financial benefit. Gronewold’s comics are simultaneously vulnerable and fierce, delicate and
jagged. No Visitors is a series that reaches an emotional and aesthetic
tenor that few cartoonists can touch, and it’s absolutely not to be missed.

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Frontier #11-14 – Eleanor Davis, Kelly Kwang,
Richie Pope, Rebecca Sugar; Youth In Decline @youthindecline

I’ve reviewed a few of the books from the
Frontier line over the past 3 years, but 2016’s Frontier lineup was the
strongest yet. I reviewed Eleanor Davis’ BDSM earlier this year, but each of
the comics in the 2016 season had a justifiable place on this list. (I could have put them in as separate entries, but I’m greedy for list space)  Kelly
Kwang’s Space Youth Cadet comics confront traditional form, using
loading screens and digital artifacts to tell a story in a world she has been
working on for many years; all beautiful pencil, with plenty of smoke and
mirrors. Richie Pope’s discussion of black masculinity and fatherhood was complex and engaging, using
vivid colors and expansive negative spaces. Each image was a storybook snapshot of
a more complex human. And last, Rebecca Sugar’s meditation on nostalgia and the
trickery of cartooning, of love, and revision. 

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Ding Dong Circus – Sasaki Maki, Breakdown Press

Another 2015 release, Ding Dong Circus is a
collection of Maki’s comics from Garo magazine from the mid 1960s-1970s. Sasaki
Maki is better known for his illustration and fine art, but in this collection
of manga from Breakdown we see Maki’s work as an avant garde cartoonist using
collage and a wild array of influences to make some very stunning comics. These
felt “harder” to read, first because non-narrative avante garde comics are
always a little more challenging, but I think also this style relies somewhat
on an understanding of the comics contemporary situation. To get the full experience, that meant reading
Holmberg’s writing on Sasaki Maki, and other materials I could find, to get a
good grasp on the collection. All of the extra work paid dividends.

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Palace No. 0 – Antoine Cosse @antoinecosse , Breakdown Press @breakdownpress

Cosse is an undeniable talent and Palace No. 0
is a boundary-pushing short story anthology devoted to Cosse’s work from
Breakdown. There’s a strength to this collection that exists both in Cosse’s
experimentation with form, as well as his tightly controlled, well plotted
stories. It’s very rare to see both that formal inventiveness and an eye for
strong storytelling all in one place. I’m excited to see more from Cosse.

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Sirio – Martin Lopez Lam @dogontv , Fulgencio Pimentel (in
Spanish)


Sirio
is the first comic I’ve ever attempted to
read in a language that wasn’t my own. Google Translate phone capture is
getting better and better, so with the help of a smartphone and some awkward
positioning, I was able to get an idea of the text. It helps that the texture
of Sirio was so brilliant, and while I’m not completely finished with the book,
I love the way it pops visually, and the textures Martin Lopez Lam integrates
into the work.


We’ll finish up the list this week. Keep checking back at Sequential State for further updates. See you Wednesday!


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